Each and every day, I lose myself in the immediacy of the moment, find myself in the joy of the movement. Each and every day, I learn more and more...and, within that new knowledge, realize that I have so much farther to travel.

Shallom Johnson is a contemporary dance artist, visual artist and freelance writer based in Vancouver BC. She holds a Bachelors of Fine Arts degree in Contemporary Dance from Simon Fraser University, and has been active in the Vancouver dance community as a choreographer, performer, and instructor since her graduation in 2004.

Shallom is interested in art in public spaces, site-specific performance, interdisciplinary collaboration, and community involvement. Her street-based artwork, performance and photography examines and documents who gets to make art, where it gets made, and where/how the creative process and product is viewed. In the future, she hopes to explore this theme further via new media and technologies, new methods of creation, collaboration and community engagement.
Showing posts with label contracts. Show all posts
Showing posts with label contracts. Show all posts

Thursday, January 17, 2008

On The Move/Danse Transit


My university education gave me a really strong technical and theoretical foundation in dance, but the one thing it lacked was an emphasis on just how hard it is to be a working dance artist in this day and age. One of the things that helped me get to where I'm at has been advice from my peers, mentors, established dancers and other professionals in my field.

If you're an emerging professional dancer or a dance student on your way to graduation and want some really REALLY good info on the big bad world of working as a professional dancer, you should definitely sign up for the On The Move/Danse Transit 2008 conference.

Held every year in cities around Canada, this free conference is an invaluable opportunity to get insights into life in the dance industry. This year's Vancouver conference will be held at the Scotiabank Dance Centre on February 8th and 9th, and is open to anyone who wants to attend. Pre-registration is required, and is available online now.

Topics include networking, auditioning, grant writing, self-empowerment, a seminar on contracts and professional standards, and panels with emerging professional and established artists. Two catered lunches and a yoga class top off the weekend.

This is a great way to meet new people in your field and get informed. And getting ahead isn't just about talent - it's all about who you know. On The Move will also be held in Winnipeg, Toronto and Montreal. For more info, including a detailed schedule and photos from previous conferences, please visit the website.

Monday, October 22, 2007

Echo Park Contemporary Ballet Company

I've started a project with the newly formed Echo Park Contemporary Ballet, working with acclaimed Artistic Director and Choreographer Cedric Tillman. The performance is for the company's opening night gala, and we will be showing five short works (three in which I will be dancing). I kind of fell into this gig - Kelly was invited to perform with them as a guest artist, and when she heard they needed another female dancer, she brought me along to rehearsal. We learned one lyrical piece yesterday and will be starting on something new tonight. I'm excited to be working on this project I think that if nothing else it will be a really good networking opportunity, and a chance to get some exposure to the wider dance community.

The event on November 17th is not just a showing of the company's first works, but also an attempt at securing financial backing and support from some of this city's big movers and shakers - the people that make dance happen, from a practical, financial standpoint. It is also an opportunity to get some press, as reviewers from all of the area's major publications will be in attendance.

The work is definitely physically challenging in a way that I'm not used to, having been in contemporary dance world for the past 7 years...I grew up dancing and loving lyrical jazz, so coming back to this style of dance feels like coming home again. But also reminds me that I need to get in better shape to perform this movement to the best of my ability. Rehearsal yesterday was definitely a challenge, after having done so many performances over the weekend. But I got a good sleep last night and now I am ready to go again (although my bruises, blisters and splits would love a few more days to heal).

There is a possibility that this gig might develop into more work in the future, however I'm not making any plans until I have a contract in my hands. Never take on freelance work without a good contract, folks, especially if you don't know the employer - that's just asking to get burned. If you don't understand your contract, ask for some time to have someone else look over it with you, and make sure there are no weird loopholes or stipulations that you don't agree with.