Each and every day, I lose myself in the immediacy of the moment, find myself in the joy of the movement. Each and every day, I learn more and more...and, within that new knowledge, realize that I have so much farther to travel.
Shallom Johnson is a contemporary dance artist, visual artist and freelance writer based in Vancouver BC. She holds a Bachelors of Fine Arts degree in Contemporary Dance from Simon Fraser University, and has been active in the Vancouver dance community as a choreographer, performer, and instructor since her graduation in 2004.
Shallom is interested in art in public spaces, site-specific performance, interdisciplinary collaboration, and community involvement. Her street-based artwork, performance and photography examines and documents who gets to make art, where it gets made, and where/how the creative process and product is viewed. In the future, she hopes to explore this theme further via new media and technologies, new methods of creation, collaboration and community engagement.
Shallom Johnson is a contemporary dance artist, visual artist and freelance writer based in Vancouver BC. She holds a Bachelors of Fine Arts degree in Contemporary Dance from Simon Fraser University, and has been active in the Vancouver dance community as a choreographer, performer, and instructor since her graduation in 2004.
Shallom is interested in art in public spaces, site-specific performance, interdisciplinary collaboration, and community involvement. Her street-based artwork, performance and photography examines and documents who gets to make art, where it gets made, and where/how the creative process and product is viewed. In the future, she hopes to explore this theme further via new media and technologies, new methods of creation, collaboration and community engagement.
Showing posts with label improvisation. Show all posts
Showing posts with label improvisation. Show all posts
Wednesday, February 6, 2008
Frozen in Grand Central Station
This is so cool. We should try something like this in Vancouver.
Well, we do flashmobbing here in the form of mobile clubbing (courtesy of Foolish Operations)... but nothing on this scale. This is amazing. Look at the confused faces! lololol
It would be hard to freeze for that long. I'd get sore. better pick an easy position or you'd regret it...lol
This was organized by a group called Improv Everywhere
Labels:
flash mob,
Foolish Operations,
Improv Everywhere,
improvisation,
NYC
Friday, February 1, 2008
Shadow Dance Improv
At Riley Park.
I promise I'll do some actual writing soon, but I've been in bed sick as a dog for a week. So instead, you get an old(ish) clip of my shadow dancing on the wall at Riley Park. Just uploaded today, by the request of a Mr. Boris Willis aka eager bunny Boris.
Labels:
Boris Willis,
dancing outdoors,
improvisation,
Riley Park,
shadows
Wednesday, January 30, 2008
False Creek Improvisations
Last week I did some dancing on False Creek, near the marina.
Labels:
dancing outdoors,
False Creek,
improvisation,
Vancouver
Wednesday, January 23, 2008
Park Bench Improvisations - Riley Park
On Mondays and Tuesdays I teach dance at Riley Park Community Centre. I was there early on Monday and decided to do some dancing in the park. The day was so nice and sunny, and I was happy to spend some time outdoors.
But the time I was finished, the people inside were giving me rather strange looks. One guy came outside for a smoke and asked if I needed help. I thought about asking him to dance with me but I didn't. Instead we talked about the ESL class he was taking, and about my dance classes. Then he stayed and watched while I filmed the last couple of clips.
Labels:
dancing outdoors,
improvisation,
Riley Park,
site specific
Friday, January 18, 2008
Corner Improv
Another site-specific improv, on my lunch break yesterday. I am particularly fond of the ending.
Site-Specific Improv, Parking Garage
Yesterday on my way home I stopped at a parking garage and danced a bit. After sitting at a desk all day I needed to move and be creative.
I found this little flyer in the garage and thought it needed to be included in the dance. Didn't realize that it would make the faraway stuff out of focus but I kinda like the effect.
I found this little flyer in the garage and thought it needed to be included in the dance. Didn't realize that it would make the faraway stuff out of focus but I kinda like the effect.
Labels:
dance on film,
dancing outdoors,
improvisation,
site specific,
Vancouver
Monday, January 7, 2008
More Dance-a-Day Movies
Here is the full trilogy of Dance-a-Day movies featuring Boris and myself. Music by Rydel.
Part 1
Part 2
Part 3
Part 1
Part 2
Part 3
Saturday, January 5, 2008
Shallom and KK Goodbye Duet
The morning that I left DC, Kelly and I made one more dance together. Watching this again makes me miss her even more. Not only are we best friends, but we're so much more prolific when we're together. She makes it easier for me to move from a place of thoughts and ideas to a place of creation and action. And, as every artist knows - that motivation, wherever you find it, is priceless.
Labels:
choreography,
dance on film,
duet,
goodbyes,
improvisation,
inspirations,
Kelly Mayfield
I'm on Danceaday.com
As I mentioned before, Boris and I made a few dances together the day before I left DC. Well, they're all online now, so please visit danceaday.com to have a look!
Here are the links:
Farewell Shallom
Shallom and Boris
Shallom Back in the Day
Movie
And just for fun - this is Boris wearing his Tour Guide Hat as we drive around the Arlington National Cemetery and the Iwo Jima Memorial. A couple of the above dances were filmed nearby. Boris - I miss you! Why you gotta live so far away?
Friday, October 5, 2007
Video Post: Chair Dances
I'm creating a solo for a performance on October 20th. It will be shown as a section of Objects of Hope: The America Project, by Contradiction Dance. If you look down one post, you'll see another work-in-progress section, a duet between me and Kelly Mayfield.
The movement phrases seen in these video clips are improvisations, generating movement that will soon be crafted into something that hopefully makes sense within the larger concept of the work.
I was working with the idea of my home as my object of hope, and with the chair as representative of that home. I was also trying to see how many different ways I could fit my body into and around the chair, and how that would inform the movement possibilities.
Kelly's concept is "reclaiming her patriotism" by asking questions about the state of America as a political, cultural and social entity. Where are our priorities, and why? Coming into this process as an outsider - a Canadian, with some pretty negative views on the current state of America - I am trying to see how I fit into this structure, and how my perspective can be integrated into the work.
Part of my thought process is "yes, I'm an American by birth (I have dual citizenship) but don't identify with that part of me. Partially because I grew up in Canada, partially because I don't agree with a lot of what goes on here, don't see "The Great American Dream" as having anything to do with me or my goals or my lifestyle. But I think that a lot of peopl that live here feel the same way, and are looking for a way to find some sense of pride in their country - either returning to a feeling they have since lost, or finding something in the concept of America to believe in for the first time.
I personally think that if you don't believe in what your country stands for - if you can't find pride in that - then you have to question how things can change, how you can personally effect that change to make your country a place in which you feel proud to live. And that goes for any country, anywhere - not just the US of A.
I also feel that we as artists have a responsibility to use our voices to effect change - and that change happens first and foremost in the mindset of individuals. Yes, it can be daunting and overwhelming to try and change the whole system starting from scratch - but not impossible. At least that's what I'd like to think, in my idealistic state of today (while my cynical side is shaking its head in disbelief).
The movement phrases seen in these video clips are improvisations, generating movement that will soon be crafted into something that hopefully makes sense within the larger concept of the work.
I was working with the idea of my home as my object of hope, and with the chair as representative of that home. I was also trying to see how many different ways I could fit my body into and around the chair, and how that would inform the movement possibilities.
Kelly's concept is "reclaiming her patriotism" by asking questions about the state of America as a political, cultural and social entity. Where are our priorities, and why? Coming into this process as an outsider - a Canadian, with some pretty negative views on the current state of America - I am trying to see how I fit into this structure, and how my perspective can be integrated into the work.
Part of my thought process is "yes, I'm an American by birth (I have dual citizenship) but don't identify with that part of me. Partially because I grew up in Canada, partially because I don't agree with a lot of what goes on here, don't see "The Great American Dream" as having anything to do with me or my goals or my lifestyle. But I think that a lot of peopl that live here feel the same way, and are looking for a way to find some sense of pride in their country - either returning to a feeling they have since lost, or finding something in the concept of America to believe in for the first time.
I personally think that if you don't believe in what your country stands for - if you can't find pride in that - then you have to question how things can change, how you can personally effect that change to make your country a place in which you feel proud to live. And that goes for any country, anywhere - not just the US of A.
I also feel that we as artists have a responsibility to use our voices to effect change - and that change happens first and foremost in the mindset of individuals. Yes, it can be daunting and overwhelming to try and change the whole system starting from scratch - but not impossible. At least that's what I'd like to think, in my idealistic state of today (while my cynical side is shaking its head in disbelief).
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